江恩的9方图的神秘起源
The Mysterious Origins of the W. D. Gann’s Square Of Nine
江恩的9方图的神秘起源
By W. Bradstreet Stewart
作者 威. 布拉德斯特里特. 斯图尔特
The Square of Nine is undoubtedly the most mysterious and popular of W. D. Gann’s financial
market calculators. T假牙 is something about this strange number wheel.
9方图无庸质疑的是江恩金融市场计算方面最受欢迎最神秘的工具。这里介绍一些有关这个神秘数字轮的 事情。
One wonders what it is about this spiral number chart that so peaks everyone’s interest. Is it
simply the promise of great fortune for decoding the secret calculator of a legendary market
master? Or is t假牙 something more subtle, something mysterious, ancient, and unknown that
resonates deeper in the being of those intrigued by this chart?
这个数字螺旋的图表居然让这么多人痴迷，其实就是因为预期获得巨大财富的密码就隐藏在一位传奇式的交易
大师所使用的这个图表里？
It is said that Gann discovered the Square of Nine in India, a story that has not been verified,
but would not be surprising since the Square of Nine may be found all over India. In Hindu
temples throughout the land, t假牙 are small 5 x 5 squares (the inner square of the Square of 9)
next to the doorways.
传说江恩是在印度的时候发现了9方图，这个传说没有确实的证据，但是请不要惊讶，你可以在印度随手 就能
找到9方图，在印度的寺庙的地板上，门口有小型的5X5 方形（9方图的内方是5X5方），
This leads us to an ancient Vedic diagram called the Parmasayika Grid (Figure 1). In this
diagram a lotus grows out of the naval of the cosmic man, at the exact center of the grid. This
lotus is “Brahma” the universal vital principle, extending itself out through the lotus
blossom into the multi-dimensional grid of the manifesting universe.
这就带领我们面对一张叫做“Parmasayika Grid”的远古印度的图表，见附图一。在这张图表的中心有一 个
莲花生长成一个宇宙人，这个莲花就是梵语中的“Brahma”意思是说一个普遍的至关宇宙的法则，这个 人通过莲化的生长壮大而使自己和包绕自己的格子不断壮大和伸展，使他自己能够到多维空间去，以充满 全部的
宇宙。
Since vegetable growth, along with all life, extends itself in spiral motion, it would
circumambulate the grid from center ring to outer, just as price and time do on Gann’s
calculators. As the lotus grows, it progresses from the greater deities at the center to the
lesser deities at the outer edge, the deities representing in the sacred tradition, universal
laws and principles by which all that is born and exists in manifest space-time is governed.
See Figure 1.
这个宇宙人在格子中旋转，并象蔬菜生长一样，在螺旋运动中使自己变大变强壮，这不就是江恩所说的时间和
价格的运动吗？它的神力在中心最大逐渐向外延递减，这个普遍的原理和规则控制着时空和整个宇宙的生存和
发展。见图一。
This universal vital principle, “Brahma”, which comes forth from the center as the lotus
flower extending itself into 3 dimensional space-time, is pure consciousness projecting itself into form according to mathematical relationships and harmonies. This projection can take on individual and physical form like a tree or a person, or it can be a group form like a business, a school or even an essentially non-physical thought form like a financial market.
“Brahma”的普遍法则，是从伸展进三维时空的莲花中心产生出来的，按照数学的和谐关系它是一种纯意识形
式。它呈现出的是一个实在的人和物，比如一棵树和一个人，或者他可以是一个经济实体，一个学说或者一个从本质上非物理性的思想形式类似金融市场。
That group form is composed of all of the thought, work, energy and activity of any kind that is
connected with that particular pattern of form. Hence, soybeans and charts of soybean behavior
are graphical representation of the conglomerate of thought energy about soybeans
这种法则和时空模型可以适用于几乎所有的思想，工作，能量和行动中。因此大豆和大豆的图表里就隐藏着全
市场所有人思想的集合。
In The Hindu Temple, Stella Kramrisch presents the ground plan for Hindu temples since ancient
Vedic times, called the Vastupurusamandala (Figure 2), again our Square of 9, defining it as,
“the place for the meeting and marriage of heaven and earth, w假牙 the whole world is present in terms of measure, and is accessible to man…” She explains that its essential form is a
square which, “can be converted into a triangle, a hexagon, octagon and circle of equal area
and retain its symbolism…”
在印度的寺庙里，Stella Kramrisch介绍了远古时期印度寺庙的平面图，被叫做“Vastupurusamandala”
，在这张图上我们再一次看到9方图，它被称做“天与地相会与交合的地方，就人们容易理解和观测的角度而言，这里几乎可以展现出全世界”她解释说：“它本质的形状就是个正方形，它可以换算成 一个三角形，一个六边形，一个八角形，以及一个同它面积相等的并保留了它的象征和符号的圆”
Sounds strikingly similar to Gann’s Coffee Rio, Hexagon, and 360 Degree Charts. She further
explains that, “the Vastu of 64 squares is meant for the construction of shrines and for
worship by Brahmanas, and the Vastu of 81 squares is for the construction of other buildings
and for worship on behalf of kings.” 假牙 with the 8 x 8 square, we discover Gann’s Squareof
4, the inner square of the Square of 8, as the alternative to the Square of 9, perhaps giving
us an explanation for Gann’s use of 8 x 8 grid paper for his charts.
引人注意的相似的声音也来自江恩的咖啡期货分析图，六边形图，360度圆形图。她更进一步的解释说：
“Vastu的64方图所指的是神庙的解释和对“Brahmanas”的崇拜，而81方图是对其他的建筑物的解释和对
国王的崇拜”。这里出现一个8X8的图，我们发现了江恩4的方图，它是8方图的内方，是作为9方图进行排
列的可供选择使用的图形形状，这也许就为我们解释了，为什么江恩在画9方图时总是使用8X8的格纸
Kramrisch continues, “the square of the Vastupurusamandala is divided into small squares and
in diagonals…their points of intersection are the vital parts and tender spots (marma) of the
site…these must not be hurt or interfered with…”, Gann’s familiar crosses forming the
“hot spots” on the Square of 9. See Figure 2.
Kramrisch接着说道：“Vastupurusamandala的方形可以被对角线分割成小的方形，它们的交叉点就是哪个生
命有关的柔软的区域，这里绝对不能被伤害或者被打扰” 江恩的被人所熟知的交叉线构成了在9方图 上热点，
However, we may still wonder what exactly these sensitive “marma” points are measuring; how
is this “marriage of heaven and earth” quantified? An ancient Hindu architectural text
dedicates its wisdom, “for the pleasure of the astronomers and astrologers, as it has been
transmitted from Brahma to our days through an unbroken series of sages. Building is begun under favorable stars. They are consulted when the ground is taken possession of and when the rite of depositing the Germ of the temple is performed. The regents of the planets and the stars have their allocation in the diagram of the temple and their images are carved on its walls. By them are regulated the measurement of the whole building and its parts; the life of the donor, and he age of the temple too. The temple is built in the likeness of the universe and is its
reduced image.”
然而，我们更想知道的是怎样去精确的测量这些敏感的“marma”点，怎么把这个所谓“天地交合”的点 进行
量化？一本远古印度的建筑学书籍体现了这种智慧：“作为天文学家和占星家的乐趣和荣幸，是作为 连续的
完美的圣人把来自宇宙最高最神圣的实体和精神传播到我们每天的生活中来，建筑开工要在有利的 星体状态
下。他们要考虑什么时候去拥有土地以及寺庙的落成仪式应该在那一天举行最好。有控制力的行 星和星体被
安置在寺庙的图表里，而它们的图象也被刻在墙上。通过这些星体来控制和调节整座建筑和它 的组成部分的
尺寸，捐献人的生命，寺庙的寿命也同样就被控制和调节了。寺庙被构建的和宇宙非常近似 甚至就是宇宙的
翻版。”
Growth within the builder’s grid ensues from a specific point of birth, and exactly at the
point when the seed is germinated and growth initiated, the planets and stars are carved into
their positions on the walls of the grid. On the walls of Gann’s grid we find the 360 °
circle of the zodiac, marking the motions of the planets and stars, and the birth point is
likewise an essential key for Gann, for it is the beginning point of the number count in the
square, and essential for casting a proper natal chart.
从一个出生的特别点开始继而在创建者的格子里成长，这非常象一颗种子发芽并开始生长的时候那样，行星和
星体按照它们的位置被雕刻在墙上的格子里。在江恩为我们所搭建的这面墙的格子里我们找到了分布有12黄道
宫的360度圆形，来象征行星和天体，而出生的哪个点对于江恩来说也是同样重要的关键点，因为它将是方形
图上计算数量的开始点，是形成一个正确的占星诞生星位图表的关键。
The Square of 9 is an instrument which calculates the mathematical measure of the growth of a
form from a germination point, and correlates the motion or growth of that form with the
astronomical and astrological influences governing it, allowing the analyst to read the stages
of and influences upon the development of the Stupa, lotus, form or market.
9方图是一个工具，计算从一个特有的萌芽点状态形成生长的数学度量，使得由这个起点产生的特有的运动和
成长形式与天文和占星的影响和控制与调节作用力产生关联，这样可以使得分析家可以读取到宇宙发展运动的
进程和影响状态。
Daniel Ferrera in his new course, said clearly that the Square of 9 as a mathematical and
astronomical calculator. He also points out that the Square of 9 is not to be perceived in only
its two-dimensional perspective, but as a pyramid, spiraling from the center around and down to the outer ring at the base of the pyramid.
丹尼尔，佛尔瑞拉在他的新书中明确的指出9方图是天文数学的计算器，他也指出9方图不仅仅是2维空间的透
视图，它是立体的四维的成金字塔样螺旋向外伸展的。
Manifest form projects itself into the three dimensions of space and time in the form of a
three-dimensional conic, not a two-dimensional spiral. T假牙fore we should perceive the growth
of our form taking on extension in the Z-plane forming a vortex, whirlpool, or conic spiral as
it rotates through the mathematical grid of planetary and stellar influences.
形式本身所显现的东西证明了三维时空的形态是一个三维的二次曲线，不是一个两维的螺旋，因此我们要认识
到我们所知道的事物发展形式是一个成旋涡状态运动的，在行星和恒星影响下所组成的，数学定义下“Z字形平
面”。
India is not the only ancient civilization to have possessed this subtle wisdom. Again, in
Ancient Egypt we find the same design built into the ground plan of the Great Pyramid, probably
the oldest surviving structure on Earth, dated by recent research to perhaps earlier than 10,000
B.C.E., and theorized by some to be the last remnant of the legendary Atlantis.
古印度不是唯一掌握这种精细智慧的古老文明，在古埃及我们找到了同样的建筑形式那就是金字塔的设计，
这些古代文明的遗迹最近被证明为大约在公元一万年前甚至更早的时候就已经存在了，而这些文明很可能就是
传说中的大西州亚特兰迪斯文明中残存下来的。
Of the importance of the Square of 8 and 9 grid relationship, Schwaller says, “These two
lengths, 8 and 9, are related to musical harmony. This is the tone in music and also the ratio
between the diameter of a disk and the side of a square of the same surface area. The sum of 8
and 9 is 17, the famous number of Jabir [the famous Arabic alchemist of the 8th century C.E.].
It is associated with 28 and is the key number for the “balance” (mizan,measure of balance).
”
对8方图和9方图的重要关系，古埃及考古学家，金字塔研究专家史沃乐先生说：“这两个长度，8和9，和 音
律和谐规律是相关联的，它们是音乐中的调和与增强，也是一个圆的直径和等面积直角方形的边长的比率。
8和9的和等于17，它是一个著名的阿拉伯术士在公元8世纪所使用的一个著名的数字。它是和28结合 在一起的
，是一个测量平衡状态时的关键性数字。
“As Above, So Below.” Is it surprising, then, that a diagram of such importance to the
ancients is to be found applicable to the modern financial markets? Obviously the ancients
chose this design as the basis for their most holy and magnificent achievements for an important
purpose. We see in both the Egyptian and Vedic traditions that the Square of Nine has, since the
beginning of time, been used as a measure of the relationship between man and cosmos.
“ As Above, So Below.” 这句话字面意思令人不解，但是从远古时代遗迹上发现的这句话是否对于当 代的
金融市场同样重要呢？ 远古时代的人在它们神圣和华丽的建筑基础上选择刻上这么一句话，应该是 明显的有
重要的意图的。我们在古代埃及和古代印度的传统9方图上都能找到这句话，自从有时间记载的年代开始，这
句话就用来度量人和宇宙之间的关系。
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文章中一些带引号的 单词 是古代梵文
空头翻译整理